Several critics, including DeLisi, have drawn attention to the distinct racist undertones of Lombroso’s work. Many features that Lombroso identified as criminal and atavistic, (e.g. curly hair and dark skin) are most likely to be found among people of African descent. Similarly, his description of the atavistic being ‘uncivilised, primitive, savage’ lends support to many of the eugenics philosophies of the time. Whether Lombroso intended this to be the case or not; it's an uncomfortable + controversial aspect of his legacy which overshadows his theory. – racist undertones, bad credibility.