'the camera loved her, close up, back lit, adored' Duffy focuses on the sexualisation of Marilyn. The poem also gives an insight into the invasion and disrespect experienced by this female icon because of her gender and open promiscuousness. Duffy again uses asyndeton, 'close up, back lit, adored' to present how the cameras perceptualized a sexualised ideology of her, capturing her from every angle.