His creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man
He is one of the best-documented artists of the 16th century due to the sheer volume of surviving correspondence, sketches, and reminiscences
He was lauded by contemporary biographers as the most accomplished artist of his era
He achieved fame early, with two of his best-known works, the Pietà and David, sculpted before the age of thirty
Although he did not consider himself a painter, he created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall
His design of the Laurentian Library pioneered Mannerist architecture
He was the first Western artist whose biography was published while he was alive
In his lifetime, he was often called Il Divino ("the divine one")
His contemporaries admired his terribilità—his ability to instill a sense of awe in viewers of his art
Attempts by subsequent artists to imitate the expressive physicality of his style contributed to the rise of Mannerism
He worked in marble sculpture all his life and in the other arts only during certain periods