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PS1080 - Hearing and Language
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Created by
Rozi Zycinska
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Cards (12)
Auditory
perception
Perceptual basis of harmony
Recognition
of voices
Separating
signal
sources
Influence of experience and knowledge
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Emotional
imbalance: Misophonia
-
Eating
sounds making people
angry
-
Noisy
eating -->
physiological
distress responses
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The
nature
of sound
A
sound
source is emitting (repeated) circular pressure
waves
in the air (shells of air compression) >> tuning fork
Similar to dropping a pebble into a still pond
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Properties
of sound waves
A
pure
tone is represented by a singular
sinewave
(air pressure as function of space/time)
Amplitude
and
frequency
Corresponding to perceived
loudness
and
pitch
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Measuring perceived loudness
Perceived loudness is measured by comparing
successively
presented tones (of different
frequency
)
- Intensity of comparison tone is adjusted until the
same
'subjective' loudness as matched to the
reference
tone
- Comparing many frequencies >>>
curves
of
equal
loudness
Physical intensity (SPL= sound pressure level) is recorded as
'perceived
loudness
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The
spectrum
of human speech
-
Speech
sounds cover a wide range of the audible spectrum
-
Vowel
sounds are mainly in the
lower
frequency region
-
Consonants
cover almost the entire range
-
Telephone
systems used to cut off the
upper
part of the spectrum with minimal effects on
speech
recognition
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Forms of hearing
impairment
There are a wide range of different
auditory
impairments AF, including complete
deafness
Presbycusis
:
selective
high-frequency hearing loss with
age
(ongoing)
Noise exposure can lead to temporary threshold shifts (auditory
fatigue
) and permanent (partial)
deafness
Tinnitus
: continuous humming or
ringing
>> leads to
suppression
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Sound
in time - sonogram
- A melody is a sequence of tones in time, such a simple a chord
- To display and analyse real sounds, scientists use 'spectrograms' or 'sonograms': frequency as function of time
- The chord shows in the schematic spectrogram as sequence of different fundamental & harmonic frequency clusters
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The
complexity
of a spoken word
Sonogram of a simple phrase: a
complex sequence
of frequencies
Each spoken word generates a complex pattern of
frequency
and
intensity
(spectrum), which is modulated as function of time
Recorded as: -
Spectrogram
(time, frequency, intensity) -
Waveform
envelope (microphone)
Broca's
area in frontal lobe: speech production
Wernicke's
area in temporal lobe: fluent aphasia (phrases without meaning)
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Sound localisation
- There is no direct
representation
of
auditory
space: location needs to be calculated from a number of cues
-
Pinnae
: crucial for sensation of space (earphones); locate elevation (up-down)
-
Inter-aural
processing to find
azimuth
(left-right) of sound source
-
Intensity
differences: acoustic 'shadow' of the head
-
Temporal
or
phase
differences: inter-aural delays
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Masking
The detection of a
tone
is impaired if another
tone
or noise is presented at the same time
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Binaural
masking
Spatial
distance and difference in
frequency
support separation < difference between
ears
View source
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