“Tell them fresh, for the eggs” she says. “Not like last time. And a chicken, not a hen”
The daffodils are now fading and the tulips are opening their cups, spilling out colour. The tulips are red, a darker crimson towards the stem, as of they have been cut and are beginning to heal there.
Many of the wives have such gardens, its something for them to order and maintain are care for
The plump shapes of bulbs held in the hands, fullness, the dry rustle of seeds
Her left foot on the footstool, because of her arthiritus. Or knitting scarves, for the angels on the front lines
worms, evidence of the fertility of the soil, caught by the sun, half dead; flexible and pink, like lips
her belly, under her loose garment, swells triumphantly
no longer winecups but chalices; thrusting themselves up, to what end? … When they are old they turn themselves inside out, then explode slowly, the petals thrown out like shards
“determines me so completely” (her body)
Each month I watch for blood, fearfully, for when it comes it means failure. I have failed once again to fulfill the expectations of others which have become my own.
I am a cloud, congealed around a central object, the shape of a pear.
Even the Commander is subject to its [her bodies] whims
Even at her age she feels the urge to wreathe herself in flowers…you can’t use them anymore, you’re withered. They’re the genital organs of plants.
no toeholds for love. we are two-legged wombs, thats all; sacred vessels, ambulatory chalices
some blitzkrieg, some kamikaze, committed on the swelling geneatalia of the flowers
Goddesses are possible now
To him I’m not just a boat without cargo, a chalice with no wine in it, an oven- to be crude- minus the bun. To him I am not merely empty