is the study of abstract categories that organise the sound system of a language
Overlappingarticulations (eg. consonants next to a rounded vowel will be produced with rounded lips as well
transitions cour articulators are inert, it takes a while to get from one point to the next
random variation (each time we produce a sound, it will be slightly different from previous time we produced it.
Phoneme
minimal distinctive unit in the sound system
of a language they enable the speaker
to distinguish between words (meaning -differentiating)
phone
a physical realisation of a speech sound like the
voiceless or the or the voiced alveolar approximant
different sound instances (phones) may belong to
the same abstract concept (phoneme)
· sounds that belong to the same phoneme cannot change the meaning of a word
ALLOPHONES of the phoneme are phones which function as alternant realisation of the same phoneme
↳ notation for phonemes are slashes (//)
DISTRIBUTION refers to the different positions in which a speech sound can occur or cannot occur in the words of a language -> in which phonetic context can or cant a particular sound occur
complementary distribution: one particular sound can only occur where its counterpart cannot
different phonemes create different words, different allophones do not
minimal pairs: is a pair of words which differ in only one sound, but differ in meaning
-> changing one sound will result in different meaning
· minimal pairs are a method with which we can detect phonemes
released vs. unreleased consonants possible eg for /p/->[p](released)and [p^](unreleased)
but they are not in complementary distribution -> allophones do not have to
↳ free variation: speakers can choose the allophone they use
Finding order: allophonic alternations in different word forms
changing word forms (eg. Clap-clapping)makes allophones of phonemes identifiable
neutralisation: in a particular context, a contrast between phonemes becomes invisible
final devoicing: voiced phoneme as voiceless allophone in word-final position (not common in English)
Stop phonemes
· voiceless stops: /p/, /t/, /k/
↳ restricted to word-final context and in free variation with [strich ^]
aspirated stop/aspiration: occurs when voiceless stop is in a word-initial context prior to a stressed vowel
and is produced with an extra breath of air -> [h]
-> in complementary distribution, but also in free variation in word-final position
non-rhotic varieties: r-sound does not occur in a word-final position (British& Australian E)
[r] is not absent, but not pronounced unless you add a suffix to make it word-medial
rhotic varieties: include r-sounds in word-final positions
zero-allaphone: doesn't have an own sound/leaving the sound out
↳ zero-allophones are only visible when they alternate with other allophones
monosyllabic: one syllable terms vs. disyllabic: two-syllable terms
constituents: elements that make up a syllable
· monosyllabic words with no consonants: vowel needs to be diphthong (eg. eye)
middle-slot in a syllable -> can be filled by vowel diphthong, syllabic consonant
nucleus
front-slot in a syllable)can be filled by one or more consonants
onset
end-slot in a syllable /not obligatory
coda
vowel epenthesis: insertion of vowels into syllables
↳ e. g. engl.: Christmas vs. jap.: ku. ri. su. ma. su
cognates: similar & etymologically related words in different languages
syllable consonants: consonants that occupy the central part of the syllable, marked by [,]
(no vowel or diphthong), depends on variety of English and articulation, usally [l], [n], [r],
Types of syllables
open syllable: nocoda eg, you, see
closed syllable: end in at least one consonant eg., dog, ball
complex coda/onset: coda /onset with more
than one consonant
syllabification: assigning syllable structure to words
· syllabification isn't arbitrary, but regular & predictable
maximal onset principle: if given the choice, as many consonants as possible are in an onset
sonority (not clearly definable; relative category): a measure of the output of periodic acoustic
energy associated with the production of a particular segment and hence its intrinsic loudness
= clear audibility, prominence of sound
↳ the nucleus is the most sonorous part of a syllable
sonority sequencing principle: sounds preceding the nucleus must rise in sonority and sounds
following the nucleus must fall
there are differences in sonority between consonants as well
· there a language-specific limits to the sonority sequencing principle
-> different languages can have different syllable structures
· Language specific phonotactic constrains
↳ e. g. English doesn't allow for [kn]& [ps]
(although possible in sonority sequencing principle