englang 3/4

    Cards (100)

    • Sounds in connected speech
      assimilation, elision, insertion, vowel reduction

      Way sounds are 'meshed/blended/combined' in our speech.

      Improves fluency.
      In written mode, can mimic spoken -> establish a more conversational tone -> link to purpose/register

      e.g. G'day mate, How ya doin
    • Elision
      Omission of a sound

      e.g. 'and' as 'n' or 'Wednesday' as "wensday'

      Aiding fluency, reflecting the mode
    • Insertion
      Addition of a sound where it doesn't originally belong

      e.g. 'especially' as 'ex-specially'

      Fairly uncommon, stereotypically link to low ses/education or poor lang profiency or reflects identity (ethnicity)
    • Vowel Reduction
      Converting vowel sound to schwa sound

      e.g. 'butter' as 'butt- UH'

      Feature of aussie accent -> link to reflection of setting or Aus identity or -> decrease register, aid/hinder social purpose
    • Assimilation
      When a sound changes to become like neighbouring sound, blending the two.

      e.g. 'dogs' as 'dogz'

      Subconscious process. Reflect mode
    • Schwa sound
      Type of "uh" sound

      e.g. 'you' as 'ya
    • Prosodic features

      stress, pitch, intonation, volume, tempo

      different ways things can be said
    • Intonation
      Rise and fall of pitch in speech

      Rise for holding floor, signal uncertainty, ask question
      e.g. "How are you doing?/" passes floor by asking question

      Fall for passing floor, signal end of point, signal sense of certainty
      e.g. "You may continue.\"
    • Pitch
      How high or low a sound is

      High can signal excitement, surprise, intense emotion, youth, nervous, playful, polite, emphasis
      e.g. OMG

      Low can signal authority, emotional depth, end of utterance, confidence, masculinity, relaxation, maturity
      e.g. Silence.
    • Stress
      Emphasis placed on words or syllables. Draws attention to specific part of text.

      E.g. REAding vs reaDING

      Why does speaker/writer want attention there? What is their point/signal?
    • Tempo
      Speed of an utterance

      e.g. vs . excitement vs astonishment

      Fast tempo can: add extra irrelevant info without deviating too far from topic, signal excitement/nervousness

      Slow tempo can: be used similar to emphasis/for dramatic effect, signal certainty/calmness/confidence/composure
    • Volume
      How loud or soft an utterance is.

      e.g. thanks vs THANKS

      Soft volume: can be used to make dramatic effect/add suspense, show sincerity/care

      Loud volume: can be used to express emotion (anger/frustration/surprise), or interrupt + take floor
    • Vocal Effects

      Cough, laughter, breath

      Things that aren't strictly 'speech' but nonetheless sounds that may contribute to text

      Cough rare, others good analysis
    • Cough
      Type of vocal effect that can be used purposely as to be playful, joking, or make a point.

      e.g. coughing to subtly signal for someone to shut up
    • Laughter
      Good reflection of rapport being built + often declining of register. Consider link to register, purpose, tenor. sometimes nervousness

      e.g. laughing at someone's joke
    • Breath

      Can be used to signal topic change, build suspense, express sad/difficulty/frustration

      e.g. This is what I wish to saybreath

      analyse if used for STYLISTIC effect
    • Phonological Patterning
      Alliteration, Consonance, Assonance, Onomatopoeia, Rhyme

      Deliberate repetition of sounds for stylistic effect

      Common in planned scripted texts vs spontaneous discourse
    • Alliteration
      Repetition of initial sound at the start of consecutive or close words.

      e.g. Peter Parker put a pickle packet in his pocket.

      Often used in marketing - slogans -> catchy -> memorable.
      Can give text rhythm -> more engaging
      Draw listener's attention to particular section -> ask "why is the writer/speaker doing this?" -> relate to big pic.
    • Consonance
      Repetition of consonant sounds, not necessarily at beginning of word.

      e.g. Hickory dickory dock, the mouse ran up the clock.

      Lesser effect than alliteration.
      Can add subtle sense of rhythm to speech/writing.
    • Assonance
      Repetition of vowel sounds

      e.g. The rain in Spain stays mainly in the plain

      Similar effect to consonance and alliteration, gives text subtle rhythm -> more engaging + easy to read/listen
    • Onomatopoeia
      Words that imitate sounds they're describing

      e.g. boom, woof, meow

      Often used when telling stories & trying to paint a vivid pic in reader/listener's mind -> function
    • Rhyme
      Repetition of words with same ending phonemes

      e.g. Killing me slow, out the window

      Similar to alliteration, often used in marketing: slogans more memorable. Or draw attention to specific section of text. Then ask "why?"
    • Accents found in Australian English
      Broad, General, Cultivated

      They exist on a spectrum: broad<-general->cultivated
    • Broad Australian accent + its features
      Usually associated with informality and being laidback, friendly as well as irresponsible and too relaxed.

      e.g. "We're gonna chuck a few snags on the barbie, care to join us?"

      Features: elongates vowel sounds, diphthongs, elision, assimilation
    • Cultivated Australian Accent

      Usually associated with formality, professionality, reliable and educated, as well as downside, cold, arrogant, unfriendly

      Corresponds more with British English
    • General Australian Accent

      Used by most of the population

      In between Broad and Cultivated
    • Elongated vowel sounds
      Lengthening specific vowel sound in a word

      e.g. yeah mate vs yeaaa mate

      Tendency to use as 'planning tool' to give us time to construct our following utterances while also continue holding the floor. This is common in spontaneous spoken discourse.

      Also used stylistically: emphasis/highlight point
    • Diphthong
      Changing single vowel sound into two

      e.g. 'mate' -> 'moite'. 'a' --> 'o' + 'i'

      Feature of broad aus acc. Link to --> reflection of speaker's identity OR using lang. feature that may hold covert prestige within context
    • Word Classes

      nouns, verbs, adjectives, adverbs, prepositions, pronouns, conjunctions, determiners, interjections

      types of words used in sentence
    • Nouns
      words that refer to things, people, places, qualities

      e.g. table, Tyler, Thailand, talent
    • Concrete nouns
      Nouns that can be perceived thru 5 senses

      e.g. dog, sky
    • Abstract nouns

      Nouns that can't be perceived through 5 senses

      e.g. love

      what connotations does this have? why have writer/speaker chosen to use?
      look for strong or agreeing connotations that support function

      e.g. abstract nouns with strong positive connotations of dedication and concentration like "determination" and "discipline" may be used in a text to motivate or praise a particular group of people and attend to their positive face needs
    • Proper nouns
      Capitalised names of people/places

      e.g. Chloe, Sarah, Malaysia, Australia
    • Verbs
      Words that describe actions

      e.g. run, jump, skip
    • Auxiliary Verbs

      Verbs that modify main verb

      e.g. I 'have been' running. 'running' is main, 'have been' helps
    • Modal Auxiliary Verbs
      Auxiliary verbs that express ALORPPP: ability, likelihood, obligation, responsibility, permission, possibility/certainty, probability.

      e.g.
      I 'can' go running = ability
      I 'must' go running = obligation
      I 'may' go running = possibility

      Can establish authoritative tone --> register more formal. Common in T&Cs doc or when rules/guidelines are given.
    • Adjectives
      Words that describe/modify nouns

      e.g. She has beautiful eyes. 'beautiful' describes 'eyes'

      Often used to support vivid storytelling or advertising. Depending on connotation, can use to make perception of something more positive/negative.
    • Adverbs
      Describe/modify verbs or adjectives. -ly

      e.g. She slowly sighed. adds

      Often used to support vivid storytelling or advertising.
      Depending on connotation, can use to make perception of something more positive/negative.
    • Prepositions
      Represent relo/position of nouns in time/space

      e.g. My cat is behind the chair

      Storytelling, advertising, describing physical space
    • Pronouns
      Replaces noun. Can play role in establishing cohesion. Common: she, he, I, you, we, they

      e.g. 'Sarah is my sister. Sarah is 10 years old. Sarah likes music. VS Sarah is my sister. She is 10 years old. She likes music'

      Can personalise text for reader/listener, feel being addressed directly or part of team --> reduce social distance --> big pic purpose + function + register

      identify person pronoun (first, second, third) & if singular/plural
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