media and crime

Cards (25)

  • media representations of crime
    Fictional media
    • Criminals: supervillain, stupid, psychopaths, rational/planner
    • victims: female - helpless, male - vigilante, ethnic majority
    • police: super-intelligent, bumbling idiots, always succeed
  • media representations of crime
    Factual media
    • criminals: under class, ethnic minorities, young, men
    • victims: missing white woman syndrome, selective reporting
    • police: corrupt, brutality, racists, incompetent
  • news values
    • the immediacy of the story
    • dramatisation
    • personalisation
    • higher status of the focus of the story
    • simplification
    • novelty / unexpectedness
    • risk
    • violence
  • media distortion of crime
    • KIDD-HEWITT and OSBORNE
    • POSTMAN
    • SURETTE
  • media distortion of crime
    KIDD-HEWITT AND OSBORNE
    • media reporting of crime as increasingly driven by the need for a spectacle - dramatisation
    • spectacles are engaging because audiences become both repelled by the activities but fascinated at the same time
  • media distortion of crime
    POSTMAN
    • media coverage of crime is increasingly a mixture of entertainment and sensationalism
    • leading to 'infotainment'
  • media distortion of crime
    SURETTE
    • law of opposites - media shows the direct opposite of official statistics
    • media focuses on murders and violent crimes when most crimes are property based crimes
    • media shows victims to be more likely to be female - statistics show young men are more likely to be victim
  • perspectives on media influence and crime
    FUNCTIONALISM / PLURALISM
    • reporting crime - media helps to keep social solidarity
    • crimes reported tend to reflect the things people are most concerned about and most want to see reported - create demand which is met by the media
    • different forms of media report different crimes in different ways - not all dominated by a single ideology or small group of owners pushing same agenda
  • perspectives on media influence and crime
    MARXISM
    • reporting of crime reflects the ideology of the ruling class
    • crimes of the ruling class - under-reported
    • media's emphasis on sexual and violent crimes means less importance is attached to large and serious white-collar crimes and corporate crime
    • crimes of working class - over-reported
    • reporting of crime is used as a way of maintaining control over powerless groups
  • perspectives on media influence and crime
    FEMINISM
    • crime reporting reinforces the stereotyping and oppression of women
    • women = victims
    • under-reporting of violence against women - domestic violence
    • highly critical of reporting of sex crimes against women as a way to provide entertainment
  • perspectives on media influence and crime
    interpretivism
    • media is a social construction as is crime
    • look at the labels attached to people who are determined to be deviant and see the media as a moral entrepreneur which determines who are deviant and who are not
  • perspectives on media influence and crime
    POSTMODERNISM
    BAUDRILLARD - media creates reality - people have no understanding of crime only the representations of crime they experience through the mass media
  • media as a cause of crime:
    • THE HYPODERMIC SYRINGE MODEL =
    • that media audiences are passive recipients of the messages from the media without critical thought - messages are acted upon mindlessly by audiences
    1. imitation
    2. school of crime
    3. arousal
    4. desensitisation
    5. deprivation
    6. glamorisation
  • media as a cause of crime: THE HYPODERMIC SYRINGE MODEL =
    Imitation
    • the idea people will act out the crimes and the violence that they view via the media
    • college student who acted out scenes from GTA
  • media as a cause of crime: THE HYPODERMIC SYRINGE MODEL =
    School of crime
    • watching crime shows and news can help criminals to hone their skills and learn how to be less detectable in their crime
    • shows them how to commit crime
  • media as a cause of crime: THE HYPODERMIC SYRINGE MODEL =
    Arousal
    • increased adrenaline and endorphins lead to people engaging in risky and criminal behaviour
    • increase in traffic crimes on opening weekends of the Fast and Furious films
  • media as a cause of crime: THE HYPODERMIC SYRINGE MODEL =
    Desensitisation
    • watching violence in the media can lead to the lowering of peoples level of shock value - no longer horrified by it and can be more likely to commit the act themselves
  • media as a cause of crime: THE HYPODERMIC SYRINGE MODEL =
    DEPRIVATION
    • links to left realism and strain theory
    • the idea media provides unobtainable ideas of lifestyles of the rich and famous which can lead to people committing crime to achieve these lifestyles
    • Made in Chelsea
  • media as a cause of crime: THE HYPODERMIC SYRINGE MODEL =
    Glamorisation
    • Tv shows - Sopranos and Marcos
    • provide a glamorised view of the criminal lifestyle which can lead to people wanting to emulate it and be involve d
  • missing white woman syndrome
    that the type of victim that is likely to make the news cycle or the media is a
    white middle class woman as she will fit the stereotype of what they want a
    victim to be.
  • moral panic
    an instance of public anxiety or alarm in response to a problem regarded as threatening the moral standards of society.
  • fear of crime cycle - media
    A) fear
    B) victim
    C) time
    D) consume
    E) generates
    F) fear
  • moral panic cycle -
    A) media
    B) attention
    C) agencies
    D) amplified
    E) esaggeration
    F) symbolisation
    G) redefined
  • examples of moral panics
    • black mugging 1970
    • HIV and AIDS 1980
    • Satanic child abuse 1980
    • knife crime (current)
  • AO3 Moral panic theory - MCROBBIE AND THORNTON
    • frequency - increase so no longer noteworthy
    • context - moral panics would scapegoat a group 'folk devils' - now there are too many viewpoints
    • reflectivity - concept well-known - create one for own benefit
    • difficulty - less certainty about what is unambiguously 'bad' so harder to start
    • Rebound - more wary about moral panics - possibility of it rebounding on them