Artworks have "aboutness" and demand interpretation
Interpretations are persuasive arguments
Some interpretations are better than others
Good interpretations tell more about the artwork than the critic
Feelings are guides to interpretations
There can be different, competing, and contradictory interpretations
Interpretations are often based on a worldview
Interpretations are not so much right, but more or less reasonable, convincing, enlightening, and informative
Interpretations can be judged by coherence, correspondence, and inclusiveness
An artwork is not necessarily about what the artist wanted
A critic ought not to be the spokesperson for the artist
Interpretations ought to present the work in its best light
The objects of interpretation are artworks, not artists
All art is in part about the world in which it emerged
All art is in part about other art
No single interpretation is exhaustive
Meanings may differ from significance to the viewer
Interpretation is ultimately a communal endeavor, and the community is ultimately self-corrective
Good interpretations invite us to see for ourselves and continue on our own