Costumes

• what caused attwood inf costumes; highly patriarchal culture

  'chador...I acquired in Afghanistan... there is freedom to and freedom from'
• true heroine 38 tells her story


  Moira: performative act dressing aunts costume, refusal to be defined by Giladean theocracy... sexualised playboy bunny IRVINE A05:'stimutaneously parodies the demeaning nature of the female outfits' objectified
• uniforms commander Fred suspected to design define/underscore w

  chap 2 ' the colour of blood,which defines us.' +'The white wings too' personifications of religious sacrifice VS Chapter 37 The passage vividly illustrates how women are objectified and reduced to mere sexual fantasies through the use of imagery, such as "feathers and glisten," "big scallop shells," and "a few in cheerleader outfits," portraying them as decorative objects meant solely for the pleasure of the male gaze (Ao4 laura mulvey). visual pleasure/performative
• Chap 39

  • costume as the objective correlative of her relationship with the comander, imagery broken doll or wounded animal 'pulls down one of my straps,slides his other hand in among the feathers' + 'i lie there like a dead bird' VS NICK chap 41' for this one id wear pink feathers' because 'being here with him is safety'
• chap 37


  'to trick the men into thinking they were several different women.' : justify male desire