RENAISSANCE AND MANNERISM

Cards (18)

  • Early Renaissance painting
    • Emphasized simplicity, religious ardor, piety, gestures, and facial expressions
  • High Renaissance painting

    • Introduced new techniques like chiaroscuro by Da Vinci and contrapposto by Michelangelo
  • Gothic cathedrals

    • Usually have two towers
  • Pointed arch
    Made the building larger and bigger
  • Buttresses
    Used to support the building
  • Renaissance painting
    Changes to the medieval styles of painting
  • Characteristics of early Renaissance painters
    • Simplicity
    • Religious ardor
    • Piety
    • Gestures and facial expressions
  • High Renaissance painters
    • Introduced new techniques like chiaroscuro and contrapposto twist of the human anatomy
  • Mannerism
    Characterized by spatial incongruity and excessive elongation of the human figures
  • Mannerist painting
    • The Slaughter of the Innocents by Tintoretto
  • Renaissance architecture

    Developed in the 15th century up to the 16th century, influenced by Greek and Roman styles
  • Differences in Renaissance architecture
    • Over-hanging cornice
    • String course
    • Pilaster
    • Ornamental pediment
  • Renaissance dome
    Made much steeper and adopted in smaller buildings and symmetrical structures
  • Renaissance architecture

    • Observed objective, mathematical standards of measurement and proportion
    • Revived the classical orders, ideas of balance, symmetry and proportion
  • Early Renaissance architecture
    • Basilica of San Lorenzo
  • Mannerism
    Assertion of a purely aesthetic ideal, translated form and expression into a style of the utmost refinement that emphasized grace, variety, and virtuoso display at the expense of content, clarity, and unity
  • Mannerist painting
    • Self-Portrait by Parmigianino
    • The Madonna with the Long Neck by Parmigianino
  • Mannerist sculpture

    • Lacked a consistent integration between elements, placed emphasis on encrusted decoration to create picturesque effects, with occasional distortion of form and novel, even illogical rearrangement of space