RENAISSANCE AND MANNERISM

    Cards (18)

    • Early Renaissance painting
      • Emphasized simplicity, religious ardor, piety, gestures, and facial expressions
    • High Renaissance painting

      • Introduced new techniques like chiaroscuro by Da Vinci and contrapposto by Michelangelo
    • Gothic cathedrals

      • Usually have two towers
    • Pointed arch
      Made the building larger and bigger
    • Buttresses
      Used to support the building
    • Renaissance painting
      Changes to the medieval styles of painting
    • Characteristics of early Renaissance painters
      • Simplicity
      • Religious ardor
      • Piety
      • Gestures and facial expressions
    • High Renaissance painters
      • Introduced new techniques like chiaroscuro and contrapposto twist of the human anatomy
    • Mannerism
      Characterized by spatial incongruity and excessive elongation of the human figures
    • Mannerist painting
      • The Slaughter of the Innocents by Tintoretto
    • Renaissance architecture

      Developed in the 15th century up to the 16th century, influenced by Greek and Roman styles
    • Differences in Renaissance architecture
      • Over-hanging cornice
      • String course
      • Pilaster
      • Ornamental pediment
    • Renaissance dome
      Made much steeper and adopted in smaller buildings and symmetrical structures
    • Renaissance architecture

      • Observed objective, mathematical standards of measurement and proportion
      • Revived the classical orders, ideas of balance, symmetry and proportion
    • Early Renaissance architecture
      • Basilica of San Lorenzo
    • Mannerism
      Assertion of a purely aesthetic ideal, translated form and expression into a style of the utmost refinement that emphasized grace, variety, and virtuoso display at the expense of content, clarity, and unity
    • Mannerist painting
      • Self-Portrait by Parmigianino
      • The Madonna with the Long Neck by Parmigianino
    • Mannerist sculpture

      • Lacked a consistent integration between elements, placed emphasis on encrusted decoration to create picturesque effects, with occasional distortion of form and novel, even illogical rearrangement of space