Accurate, detailed, unembellished depiction of nature or of contemporary life. Rejects imaginative idealization in favour of close observation of outward appearances.
Art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colors, forms and gestural marks to achieve its effect. Can be derived from a figurative or other natural source.
One of the most influential art movements of the early twentieth century, involving the analysis of the use of rudimentary shapes and overlapping planes to depict the separate forms of the subjects in a painting.
Analyzed the use of rudimentary shapes and overlapping planes to depict the separate forms of the subjects in a painting. Refers to real objects in terms of identifiable details.
An artistic movement of the mid-20th century comprising diverse styles and techniques and emphasizing especially an artist's liberty to convey attitudes and emotions through nontraditional and usually nonrepresentational means.
Characterized by a loose, rapid, dynamic, or forceful handling of paint in sweeping or slashing brushstrokes and in techniques partially dictated by chance, such as dripping or spilling the paint directly onto the canvas.
The first style to resolutely avoid the suggestion of a form or mass standing out against a background. Figure and ground are one, and the space of the picture, conceived as a field, seems to spread out beyond the edges of the canvas.
An intellectual form of expression where artists inject their compositions with messages and esoteric references, not just using color and shape to communicate their feelings.
A style of painting developed in France at the beginning of the 20th century by Henri Matisse and André Derain, where color was used to express the artist's feelings about a subject, rather than simply to describe what it looks like.
Art that is more associated with emotion or feeling than with literal interpretation of a subject. Uses vivid colors, distortion, two dimensional subjects that lack perspective.
A form of artistic anarchy born out of disgust for the social, political and cultural values of the time. More of a protest movement with an anti-establishment manifesto.
A movement in literature, the arts, and theatre that tries to integrate the confused realms of imagination and reality. Greatly influenced by the writings of Sigmund Freud and the exploration of the 'unconscious mind'.
An art movement in France at the end of the 19th century, emphasizing an artist's immediate impression of a moment or scene, usually communicated through the use of light and its reflection, short brushstrokes, and separation of colors.