Macbeth is presented as a tragic hero in Shakespeare's play
A tragic hero, according to Aristotle, is someone highly renowned who experiences a reversal of fortune from good to bad due to a personal error or flaw
In the opening scenes of the play, Macbeth is described as brave and highly renowned by the sergeant, King Duncan, and Banquo
Macbeth's ambition, triggered by the witches' prophecy of him becoming king, is considered his tragic flaw or hamartia
Banquo's reaction to the witches' prophecy contrasts with Macbeth's, highlighting Macbeth's inner ambitions
Macbeth's descent into evil is driven by his vaulting ambition, leading him to kill King Duncan and order the murders of others
Throughout the play, other characters refer to Macbeth as a tyrant, devilish, and a hellhound, reflecting his transformation from a respected noble to a wicked figure
Shakespeare portrays Macbeth as somewhat sympathetic by not showing key murders on stage and by highlighting his bravery in battle, even in his downfall
The structure of the play and character interactions help maintain some sympathy for Macbeth, despite his actions and descent into evil
Macbeth's final moments of bravery on the battlefield evoke both fear and pity, fulfilling the requirements of a tragic hero according to Aristotle