The acquisition and processing of sensory information in order to see, hear or feel objects in the world
Sensation
Physiological process where sensory organs absorb energy from physical stimuli in the environment and convert them into neural impulses
Perception
Psychological process where sensory information is organised, interpreted and consciously experienced - translated into something meaningful
We don't perceive the world exactly as our eyes see it
Our brain tries to make sense of what we see
We add our own interpretations to what we perceive
Complex novel scenes can be interpreted in as little as 100ms
Perception
Rapid process that seems automatic
Almost always accurate yet computationally complex
Numerous processes transform and interpret sensory information
Distal Object
The stimulus in the environment (the thing!)
Informational Medium
Sound wave, light reflection, tactile info
Proximal Stimulation
When sound waves or light reflection comes into contact with sensory receptors
Perceptual Object
The thing that is perceived
Perception involves going beyond the patterns of light and dark created on our retina
Mental percept
Internal representation of the stimulus
Percept serves as the basis for subsequent identification processes
Visual illusions
We might not meaningfully grasp what we sense
Our minds take available sensory information and manipulate that information to create mental representations of objects, properties of objects and spatial relationships
Sometimes we perceive something that's not there
Sometimes we don't perceive something that is there
Sometimes we perceive something that's not there
Or we perceive movement or contrast in unusual ways
Visual illusions
Rotating Snakes Illusion
Café Wall Illusion
How this floor was made
The precise cause of visual illusions is not well understood
Inverse projection problem
A particular image on the retina can be created by many different objects
People easily understand that part of an object that is covered continues to exist - they use knowledge to perceive
Viewpoint invariance
Objects look different from different viewpoints
Illusions, viewpoint invariance & stimulus ambiguity help us to understand the complexity of perception
Artists, animators and architects understand the fundamental principles of perception
Visual system
Iris controls light entering eye
Image brought into focus on retina by changing shape of lens (accommodation)
Radiant energy (light) transmitted to a neural form (transduction)
Photoreceptors
Cones - sensitive to colour, located in the fovea, dominate vision in well-lit environments
Rods - sensitive to light and dark, located in periphery, specialised for vision in dim light
The blind spot has no photoreceptors
Visual pathways
"What" pathway - Ventral Stream
"Where" pathway - Dorsal Stream
Gestalt Principles
Fundamental principles/laws of perceptual organization that describe how we make sense of what we see
Gestalt Principles of Perceptual Organisation
Law of Prägnanz
Proximity
Similarity
Continuity
Figure-ground
Closure
Symmetry
Law of Prägnanz
We tend to perceive visual array in a way that most simply organizes the elements into a stable and coherent form
Law of Proximity
Objects near each other will be perceived as a unit
Law of Similarity
Objects similar to each other will be perceived as a unit
Law of Continuity
Perceive smoothly flowing or continuous forms, not disrupted or discontinuous forms
Law of Closure
We tend to perceptually close up/complete objects that are not complete - by creating illusory contours
Figure-ground
Some elements - figures - seem prominent, and others recede into the background (ground)
Symmetry
Symmetrical areas tend to be seen as figures against asymmetrical backgrounds
Our visual perception is determined by specific organising principles
The principles are described but not fully explained
The role of experience is considered minor compared to perceptual principles
Modern psychologists have pointed out that the laws could be created by experience